Abstract
James Yarnall's article on John La Farge examines the dynamics of this interaction of form and content as reflected in La Farge's landscape Paradise Valley and provides a closer examination of the artistic process, the working through of ideas and their subsequent translation onto the canvas. Paradise Valley is a technical tour-de-force indicative of the brand of expression and theory that would catapult artistic development into the 20th century.
Recommended Citation
Yarnall, James L.
(1982)
"John La Farge’s “New England Pasture Land”,"
Newport History: Journal of the Newport Historical Society: Vol. 55:
Iss.
187, Article 2.
Available at:
https://digitalcommons.salve.edu/newporthistory/vol55/iss187/2
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