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Shonda Rhimes has been credited for crafting progressive television dramas that attract millions of viewers. Scholars have found that through the use of tactics like colorblind casting, Rhimes unintentionally creates problematic relationships between characters. Focusing on production techniques and dialogue, this paper examines episodes from two of her most popular shows, How To Get Away With Murder and Scandal. This paper argues that while the shows pursue progressive material, the shows present African-American female characters that require partners. Further, both white male characters negatively influence the women s independence. Through media representations, Shonda Rhimes shows reinforce inequality of race and gender through media.